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Rush - 'New World Man' (Official Visualizer)

He’s a rebel and a runner
He’s a signal turning green
He’s a restless young romantic
Wants to run the big machine

He’s got a problem with his poisons
But you know he’ll find a cure
He’s cleaning up his systems
To keep his nature pure

Learning to match the beat of the Old World man
Learning to catch the heat of the Third World man

He’s got to make his own mistakes
And learn to mend the mess he makes
He’s old enough to know what’s right
But young enough not to choose it
He’s noble enough to win the world
But weak enough to lose it -

He’s a New World man...

He’s a radio receiver
Tuned to factories and farms
He’s a writer and arranger
And a young boy bearing arms

He’s got a problem with his power
With weapons on patrol
He’s got to walk a fine line
And keep his self-control

Trying to save the day for the Old World man
Trying to pave the way for the Third World man

He’s not concerned with yesterday
He knows constant change is here today
He’s noble enough to know what’s right
But weak enough not to choose it
He’s wise enough to win the world
But fool enough to lose it -

He’s a New World man...


Rush - 'Signals'
Το τραγούδι "New World Man" το γνωρίσαμε μέσα από το ένατο full length album των Rush, "Signals" (το τελευταίο μουσικό κομμάτι της πρώτης πλευράς του βινυλίου), που κυκλοφόρησε το φθινόπωρο του 1982, ενώ είχε κυκλοφορήσει και αυτόνομα, ως single, έναν μήνα νωρίτερα (με την "ζωντανή" εκτέλεση του τραγουδιού "Vital Signs" στην δεύτερη πλευρα΄του βινυλίου). Την μουσική "υπογράφουν" ο Geddy Lee και ο Alex Lifeson, ενώ οι στίχοι ανήκουν στον Neil Peart.

About "Signals": «Signals is the band’s ninth studio album, released in 1982. It was the follow-up to the (what would become) seminal Moving Pictures album. Stylistically, the album was a continuation of Rush’s foray into the technology-oriented 1980s through increased use of electronic instrumentation such as keyboards, sequencers, and electric violin.

The songs got shorter too. In fact, “New World Man” clocked in at a swift 3:42–it was the last and quickest-composed song on the album, written primarily to even out the lengths of the two sides of the cassette version.

The opening track, “Subdivisions,” is a staple of many of the band’s tours since its recording. Signals was the band’s last collaboration with producer Terry Brown, who had co-produced every Rush album since 1975’s Fly by Night, and had engineered the eponymous first album in 1974.»

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